BAD INDIANS - ARE ON THE OTHER SIDE LP

Welcome back. it has been a year, but we are not dead around here. To get things going, let's give a listen to BAD INDIANS. This is the third time BAD INDIANS has seen these pages and if your band consistently released good music then you would be here three times, too.

This four-piece from Michigan are putting out a new LP, yes vinyl, titled Are on the Other Side. It's just in time for your last purchase before 'The End of the World.' There are probably a dozen bands looking to cash in on this fantastic release date, but let's ignore them - right now they do not matter. This gang just shared a stage with Moon Duo two months ago. They must be doing something right.

BAD INDIANS are sticking around. Consistency is key key key to keeping fans - to being any sort of artist. Find what you do and do it well. Chiming in on yester-year's grooving sound, BAD INDIANS have found what they do and they are doing it well. Although the full release is not available for listening, the band put up a four song cock-tease. Probably at the request of CQ Records - it seems as though they hold the digital and maybe physical rights to this album. Oh, forgot to mention they are releasing on CQ Records - a nice little independent label in Austin, Texas. In this sneak peek of the upcoming psych garage album we start with Love and a Shovel. It's a familiar sound if you are familiar with BAD INDIANS. The drums are simple and sweet, the vocals a perfect amount whining treble and shake, the guitar tone as shaking and surfing as the vocals - also with nicely placed slick finger licks.  The song is pretty short so there is no fucking around. It's all the meat with the fat trimmed off. Wherever this song is on the album, it will surely fit as a solid 60s influenced (up to interpretation) rock and roll jam. To be completely honest, and that is in the job description (someone pay me), the second song on the preview doesn't get my gears greased. It seems a bit out of place in the four songs - it's a grunge-pop tune with prominent keys. It is also a short one and fortunate for some listeners. This song seems to say 'hi' instead of 'hey.' (Personal taste gets thrown in from time to time.) The third song, Darkside, is a gem without a doubt. It's a slow down ballad sort of beauty. During a live set we could see this in the middle or towards the end when the band's energy banks have been deposited on fans' faces in previous songs. The recorded version as a prediction, is a bit more enthusiastic, attentive, and full than one could imagine the sweat drenched live version is. And then the fourth track puts a nice little cap on things as it is an amalgamation of songs one and two, making it a nice round, maybe oval, preview of a nice janky record you can add to your collection three weeks from now.

Who knows how much of pre-album or album sales actually goes to BAD INDIANS but BUY THE RECORD and fork over a couple greenbacks for the 'name your price' preview. You're supporting someone who's working hard.

PS Word through the grapevine is that DIE POP is developing a new look. Check back later. It's sure to be a breath of fresh air for 2013.

 


BAADINDIANS@gmail.com
http://www.cqrecords.com
http://www.facebook.com/pages/BAD-INDIANS/142006495812733

DEAD FARMERS - GO HOME

Though this post finds itself nearly a year too late...In a fit of rock and roll rage, Dead Farmers-a three piece band from Australia, throw around crass upbeat tracks that are pieced together with driving psychedelic bass, sustained fuzzed-out guitar riffs, high energy drumming, and dampened gang vocals all layered to magically manifest aviators, sideburns and a 'stache on your face within seconds of hearing it. Dead Farmers put out like, as so many have written,  The Stooges (pre Iggy Pop) but crunchier, faster, and without out the pressures of poster-child-dom and money-hungry studio producers breathing down their neck; plus Dead Farmers sound better.

Apathetic to the idea of music that the Billboard's top charts brainwashes the public with, these groovin' dudes have painstakingly arranged 'Go Home,' 10 tracks of lo-fi art that times in at one song (two songs in their case) short of half an hour of pure arousal and is arguably a perfect set. The album starts with 'Can't Come', a familiar, yet completely foreign four chord progression that occasionally branches off into short bursts of trashy noise guitar that do not represent an inability to climax (as the songs title may suggest) but rather an everlasting feel good desire that aches to be long, rhythmic, and satisfyingly powerful. The pulse of the first 4 songs creates a frantic and polished sound that is distinguished by an emotion that can only be delivered simultaneously with the music; by years of failed attempts at assembling the correct combination of talent and dedication; by misunderstood appreciations for raw and dirty nights of striking out and having the lasting image of layers of stickers belonging to never-will-bees and has-beens, and 30-second permanent marker graffiti tags as your last memory before loosing your guts in the piss stained urinal at the shithole you just played at; by long nights in a small room sweating rivers of blood and sloppy chord transitions. The rest of the album falls in pace with the extraordinary introductory tracks, making 'Go Home' an album that belongs in all our collections. Unfortunately, for a band that has restraining orders against them (for reasons that you'll need to find yourself) their youtube video is not dressed to impress, the boys lack energy!!! Nonetheless, listen.






(DOWNLOAD)

deadfarmers@gmail.com

http://www.myspace.com/deadfarmers
http://www.facebook.com/pages/Dead-Farmers/68378207720#!/pages/Dead-Farmers/68378207720?sk=info